Las\n‘ruinas’ de los decorados de ‘La Ca\u00edda del Imperio Romano’, de Samuel Bronston,\nsegu\u00edan en Las Matas, cerca de Madrid, lo que permiti\u00f3 a Richard Lester realizar\nesta extra\u00f1a comedia musical romana. Parece anticuada hoy, pero es, sin\nembargo, la \u00faltima pel\u00edcula de Buster Keaton, que se estaba muriendo de c\u00e1ncer\nen ese momento, pero deseoso de volver a Espa\u00f1a, donde hab\u00eda estado en los a\u00f1os\ntreinta.<\/p>\n\n\n\n
En\nuna escena, Phil Silvers y su esposa van a visitar a su madre, y las\nemblem\u00e1ticas murallas de \u00c1vila se pueden ver claramente en el fondo con un\naspecto muy post-romano.<\/p>\n\n\n\n
El\nacueducto romano de Segovia tambi\u00e9n hace una breve aparici\u00f3n durante la canci\u00f3n\n‘Everybody Ought to Have a Maid’; una canci\u00f3n que seguramente inspir\u00f3 a Neil\nYoung.<\/p>\n\n\n\n
Al\nfinal de la ca\u00f3tica persecuci\u00f3n de los carros, mientras el capit\u00e1n romano\nrecoge a todos para llevarlos de vuelta a Roma, se puede ver al fondo un\nvistazo de Toledo y su castillo del Alc\u00e1zar, una vista que Richard Lester\nutilizar\u00eda de nuevo en su Trilog\u00eda de Mosqueteros.<\/p>\n\n\n\n
Originalmente\nun musical, la mayor\u00eda de las canciones fueron cortadas de la versi\u00f3n\ncinematogr\u00e1fica, y las que no lo eran deber\u00edan haber sido.<\/p>\n","protected":false},"excerpt":{"rendered":"
Las ‘ruinas’ de los decorados de ‘La Ca\u00edda del Imperio Romano’, de Samuel Bronston, segu\u00edan en Las Matas, cerca de 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